Jack Donovan Foley started working with Universal Studios in 1914 during the silent movie era. Phonograph recordings of the era were not of sufficient quality or flexibility to faithfully reproduce most sound effects on cue, so a sound effects person had to create all sounds for radio plays live. What is now called Foley originated as adding sounds to live broadcasts of radio drama from radio studios around the world in the early 1920s. He holds an effects board with which he can simulate ringing telephones and closing doors. History An early sound effects man (center right) adding effects to a live radio play in the 1920s. Without these crucial background noises, movies feel unnaturally quiet and uncomfortable. It helps to create a sense of reality within a scene. The best Foley art is so well integrated into a film that it goes unnoticed by the audience. The props and sets of a film often do not react the same way acoustically as their real-life counterparts, requiring filmmakers to Foley the sounds. Foley artists recreate the realistic ambient sounds that the film portrays. Places where the Foley process takes place are often referred to as a Foley stage or Foley studio. Foley can also be used to cover up unwanted sounds captured on the set of a movie during filming, such as overflying airplanes or passing traffic. Foley sounds are used to enhance the auditory experience of the movie. These reproduced sounds, named after sound-effects artist Jack Foley, can be anything from the swishing of clothing and footsteps to squeaky doors and breaking glass. In filmmaking, Foley is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. Addition of sound effects to visual media
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